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Subrat SaurabhAuthor of Kuch Woh PalVenkat Rajan spent his childhood in Chennai and has now made Mumbai his home. He has travelled to over twenty five countries to conduct business in Information Technology, Energy, Research and Development, and mergers and acquisitions. He owns a management consulting company in Mumbai and also in Europe. He believes that human narratives should be told in the context of their complete environment. His personal preferences include the works of filmmakers, Satyajit Ray, Shyam Benegal, and Balu Mahendra. Venkat Rajan hopes that one day market forces will create a platform for all, including the uRead More...
Venkat Rajan spent his childhood in Chennai and has now made Mumbai his home. He has travelled to over twenty five countries to conduct business in Information Technology, Energy, Research and Development, and mergers and acquisitions. He owns a management consulting company in Mumbai and also in Europe. He believes that human narratives should be told in the context of their complete environment. His personal preferences include the works of filmmakers, Satyajit Ray, Shyam Benegal, and Balu Mahendra. Venkat Rajan hopes that one day market forces will create a platform for all, including the underprivileged, to perform and grow.Read Less...Achievements
John Smith, a twenty-seven-year-old backpacker from Australia,is on a soul-searching journey in Mumbai, the enigmatic city where he was born to Australian ex-pats who returned to Sydney when he was a toddler.
Raju, a twelve-year-old runaway boy from Bihar, lives on the streets of Mumbai in a masked identity, doing odd jobs to survive. At night, he assists Hamid Bhai, a taxi driver at the International Airport, bringing customers. Du
John Smith, a twenty-seven-year-old backpacker from Australia,is on a soul-searching journey in Mumbai, the enigmatic city where he was born to Australian ex-pats who returned to Sydney when he was a toddler.
Raju, a twelve-year-old runaway boy from Bihar, lives on the streets of Mumbai in a masked identity, doing odd jobs to survive. At night, he assists Hamid Bhai, a taxi driver at the International Airport, bringing customers. During the day, he works as a bellboy at Happy Hotel, nestled in an Andheri suburb.
Raju spots John at the airport terminal arrival zone and coaxes him to stay at Happy Hotel and ride with Hamid Bhai to get to his hotel. While on the way, Raju impresses John and convinces the Aussie to hire him as his guide in Mumbai for a fee. The deal is struck, and Raju exposes John to some of the best-kept secrets of Mumbai. The duo bond well, and John takes a liking to Raju’s charm, wit and love of life amidst his everyday struggles.
During one of their outings, Raju suddenly goes missing. Curious and concerned, John searches for Raju, armed with only a fragmentary and disconnected footprint in the mysterious world of street children and their haunts.
Will he find Raju? Will he find his true self? Will he find love?
Veeran, a ten-year-old boy, is caught in the vicious cycle of poverty and prejudice. He lives in Varambiam, an obscure village in southern Tamil Nadu, India, subjected to caste distinctions and tending to the everyday chores of the village Zamindar. The village chief however, has now lost all his wealth and faded into oblivion.
Bala, the ten-year-old grandson of the patriarch, visits the village house to escape the squalid ghetto and travails of daily l
Veeran, a ten-year-old boy, is caught in the vicious cycle of poverty and prejudice. He lives in Varambiam, an obscure village in southern Tamil Nadu, India, subjected to caste distinctions and tending to the everyday chores of the village Zamindar. The village chief however, has now lost all his wealth and faded into oblivion.
Bala, the ten-year-old grandson of the patriarch, visits the village house to escape the squalid ghetto and travails of daily living faced by his family in the big city, Chennai.
Bala finds a friend in Veeran, in Sevapan the family steer who is deaf, in Tiger – the dog who is the stolid guardian of the family, and in Joseph – the railway gatekeeper with his utopian socialist leanings. Bala silently witnesses the consequences of his family’s hubristic past and the state of ignominy the village head is pushed into. The boys of Varambiam share important life lessons and make a secret wish.
Bala, now a grown man, has moved to Mumbai with his wife.
Will he ever meet with Veeran again? Will their secret wish come true?
“Venkat Rajan paints a colorful vignette in ‘The Mud Elephant’. A distinct Indian coloring at it. The tone is humorous, detached and ironic. Rajan as a raconteur, actually unfolds a Dickensian narrative, providing a social context and an amazing feel for his characters.”
Joy Augustine, Filmmaker
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